Objects
Enongene Mirabeau Sone. Humanities 2018, 7, 30; doi:10.3390/h7020030 www.mdpi.com/journal/humanities; 2018. African Oral Literature and the Humanities: Challenges and Prospects.
Enongene Mirabeau Sone. Imbizo Volume 7 | Number 1 | 2016 pp. 4–14 Print ISSN 2078-9785 © 2016 University of South Africa; 2016. The Interrelationship between oral literature and museum studies.
Enongene Mirabeau Sone. Muziki: Journal of Music Research in Africa; 2014. Moralising female identity in Cameroon in the 1990s: female prostitution and the song “you gu cry”.
Enongene Mirabeau Sone. California Linguistic Notes, Vol 40(1), Spring 2016; 2016. Language And Gender Interaction In Bakossi Proverbial Discourse.
Enongene Mirabeau Sone. South African Journal of African Languages in Routledge; 2017. Tangomas’ language: Orality and ritual discourse in Bakossi traditional medical practice.
Enongene Mirabeau Sone. Humanities 2018, 7, 30; doi:10.3390/h7020030 www.mdpi.com/journal/humanities; 2018. African Oral Literature and the Humanities: Challenges and Prospects.
Enongene Mirabeau Sone. Eastern African Literary and Cultural Studies in Routledge; 2018. The Folktale and Social Values in Traditional Africa.
Enongene Mirabeau Sone. Southern African Journal for Folklore Studies; 2016. Swazi oral literature, eco-culture and environmental apocalypse.
Enongene Mirabeau Sone, Mfusi Hoza. Southern African Journal for Folklore Studies Volume 27 | Issue 1 | 2017 pp. 10–29 https://upjournals.co.za/index.php/SAJFS; 2017. Re-engaging cultural perspectives on disability discourse : An analysis of the Bakossi and Isixhosa Oral Traditions.
Enongene Mirabeau Sone. Routledge; 2011. Religious Poetry as a Vehicle for Social Control in Africa: The Case of Bakossi Incantatory Poetry.
Enongene Mirabeau Sone. African Identities, 2017 Routledge; 2017. Symbolism of place and cultural identity in Cameroon.
Enongene Mirabeau Sone, Olutoba Gboyega Oluwasuji. Forum for World Literature Studies / Vol.11 No.4 December 2019; 2019. Distorted, Relegated and Colonised: Reconceptualising Ogun as the God of Justice in Sunnie Ododo’s Hard Choice.